HUM RECORDS

Delroy Edwards Hangin' At The Beach

USA 2xLP
Label: L.A. Club Resource
Release Year: 2016
Style: Techno, Tekhouse

Tracks

H.A.T.B
My Promise
Nervous Breakdown
Looking For A Fight
Safe Places Pt. 1
Trigger Kids
I Love Sloane
Wild Animal
Bad Behavior
Brothers In Arms
Tunnel Vision
10th Ave
Moscow Girls
Soldier Boy
Crime Spree
Powerhouse
Horsing Around
Blood Boiled
Born Rebels
Surf's Up!
By Myself
The Rocker
Trouble Nut
Numbnuts Hymn
Empty Pools
Safe Places Pt. 2
Bixby
Ready To Fight
Bubble Up
Butterflies

Really dope 2LP full of lo-fi sounding nuggets - drawing infleunces from all over it seems. Wicked stuff..there's a jam for every mood on here.. Limited Stock!! TIP!

.
The label say' Delroy Edwards has come a long way. 2012 marked his introduction into the world of Dance Music via Ron Morelli's Imprint LIES. After offering up essential dance floor singles like '4 Club Use Only' and 'Heart and Soul' Edwards' established himself as a producer with a unique touch and style. With a growing desire to control his own output and make a more significant statement, Delroy set off to start his own imprint, L.A. CLUB RESOURCE.

Creatively directing his own imprint became a
platform for him and over the course of two years
L.A.C.R. created one of the most palpable musical
experiences in the field. The label released music in a range of styles from a span of generations, the only constant was the high output and stellar art direction. Many releases produced by the label head himself, Delroy's production were lauded for their piercing simplicity, grace and attitude.

In his first LP for the label, Edwards' has arranged
a sincerely personal moment. The 30-track effort marks a special moment in his growth blending current interests in punk and electronics into an outsider narrative like no other. From Devo to J Dilla the influences across the record are subtle but
respectful. Regardless of influence, Hanging at the
Beach feels unequivocally new. Experiencing the LP
for the first time speaks to the Californian
experience in its full range. Certain moments call to
the beaches of Monterey while others speak to the
sleeze that lines Hollywood Blvd. Edwards doesn't
distance himself from the production style that has
defined him and the label, but this effort is a long
playing collection, a directed, new moment for the
prolific producer.'

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