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Two sublime sides from femme fatale Sylvie Mora. Both Summertime and Taboo are of course well established standards, but the treatment here of each is really unique. Summertime gets a truly expansive work over, switching between soft and slow paced acapella vocal sections which then erupt into explosive brass and drum-led riffs. On the other side, Taboo, perhaps the quintessential jazz exotica work of the early to mid-century, sounds more seductive than ever before by virtue of Mora's sultry, slinky vocals, and once again the backing orchestra is fantastic. |
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