Tradisyon Ka, Gwo Ka: Music of Guadeloupe, West Indies  
Tradisyon Ka
Gwo Ka: Music of Guadeloupe, West Indies
GBR 2xLP 
Label: Soul Jazz Records
Release Year: 2014
Style: Latin & Brasil & Afro
 
  Tracks  
  A1 Adam E Eve feat Patrick Tulippe
A2 Ansanm Pou Demen feat Henri Louis
A3 Konsyans feat Patrick Tulippe
B1 Elwa feat William Casse
B2 Yenki Sa An Pa Enme feat Leonard Zozio
B3 Kan La Line Leve feat Francois Dinane
C1 La Gwadloupeyen feat Thierry Dernault
C2 Latilye Valo feat William Casse
C3 Lekiri A Misie O feat Francois Dinane
D1 O La Ou Te Ye feat Francois Dinane
D2 O Moman Lesclavaj feat Patrick Tulippe
D3 Yo Pe Ke Jen Chanje feat Patrick Tulippe
 
  Soul Jazz Records continues its journey into the vast musical world of the Caribbean - digging deep into the cultural African roots of the region. Over the last 20 years Soul Jazz Records have been documenting and presenting the often hidden histories and deep musical worlds of Cuba, Haiti, Jamaica, Belize, Trinidad, the Bahamas and more.

This documentation encompasses reissuing lost recordings, such as the mighty Studio One catalogue of reggae, producing films/dvds (such as the 3-hour documentary Mirror To The Soul in conjunction with British Pathé, and Dub Echoes), books (check the forthcoming photography book on the Caribbean 90 Degrees of Shade, with text by Paul Gilroy, and Kanaval) as well as travelling to the region to produce new recordings.

TradisyonKa’s GwoKa album is newly recorded in Pointe-A-Pitre, Guadeloupe by Soul Jazz Records. Like the cult music of Haiti’s Vodou and Cuba’s Santeria or the roots music of Belize’s Garifuna (all of which Soul Jazz have travelled to record), GwoKa is the musical and cultural product of the region’s African ancestry, forcibly brought to the Caribbean through slavery.

GwoKa exists only in Guadeloupe. Guadeloupe is a very different island from much of the Caribbean, in that it remains a ‘department’ of its original colonial master, France. Here, the currency is the Euro and the baker sells croissants and café au lait. This constant ‘European-ising’ of the island means that GwoKa plays a fundamental and important role in the defining of Guadeloupean identity. As an African-derived music, its position as a counter-balance to French influence means that the definition of how and what GwoKa represents is also in a constant state of flux.

In contrast to this ever-changing state of political and cultural definition, the music itself has no problems of identity. Drawing on hundreds of years of musical and cultural strength, the music of GwoKa remains both steeped in tradition and, at the same time, progressive and forward-looking. New melodies and compositions (all the songs featured here are new compositions) are performed over a long-established group of unique rhythm patterns played by master drummers (including playing with their feet!). In this African-derived song structure of call and response, the vocalist styles also draw from the equally powerful history of the French chanson singers to create a truly unique combination.

TradisyonKa, made up of some of the island’s finest singers and master drummers, is part of a powerful network of politicisedGwoKa groups on the island – upholding the traditions and cultural importance of GwoKa as part of a larger process of defining the identity of Guadeloupe and Guadeloupe culture.
 
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