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Four Tet (aka Kieran Hebden) adds something special to the FABRICLIVE series, with this, the 59th compilation. The mix has a distinct narrative and unearths music that hadn’t previously had a great deal of exposure. This project for Kieran has become more than just the mix itself, it’s been an adventure into the past as he sought out not only classics, but searched for rarer tracks he may have missed at the time when he was immersed in the original 90s 2-step/ garage scene. The music is important, but the experience of finding so many forgotten records and producers became an intrinsic part of the story - meeting specialist record dealers, months of email exchanges with old friends and acquaintances, Twittering, nights on Discogs, dead ends and confusing leads. In the mix, forgotten gems reside next to current tracks that are dear to him and a number of his own tracks made specially for the CD - something he’s been doing for his DJ sets for many years. He’s also explored the idea of the club itself, sending his audio engineer friend Sasha Lewis to make field recordings from fabric, which feature as a highlight and pause, breaking the mix into different parts - as if you’re moving within the club's space to hear different DJs. In fact, the mix is somewhat topsy-turvy, starting out fast and then slowing down.
Interestingly, the entire mix is constructed on computer, more in the way you would create a film score than a DJ mix. Yet every track is vinyl, with Kieran cutting acetates of all his own music for the mix, to ensure that the sound quality and vibe is consistent. It’s then mastered with no cleaning or leveling, to retain the hiss, pop and crackle of the wax. It’s these slightly obsessive details that highlight why we have this Four Tet mix. For Kieran, to do anything in these days of overload - especially of DJ mixes, there must be a purpose, something unique to offer, and it’s these details that are so crucial to him. We hope that you delve deep into the music and take as much pleasure from this trip as we do.
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