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To truly appreciate this album, several historical and technical facts must be stated. First, this album was not, I repeat NOT, produced exclusively by Dr Dre despite what liner notes may indicate. The majority of the production and sample selection on this album was in fact done by ATL themselves and the result is a smoother, more "pimpish" quality to their beats. While the production definately had the clear influence of Dre, the overall sound does not reflect Dre's production at the time. Because of 187's silky high-pitched delivery and KMG's gravelly monotone, samples from both jazz and smooth r&b sources worked particularly well and set ATL in a class entirely their own.
Second, ATL are NOT from Compton like their other Ruthless labelmates. They're from Pomona and their attitude was far less of a "gang" mentality than NWA in their lyrics, despite the association. These guys clearly had their own identity and vision for what they wanted to do. And while songs like "Murder Rap" and "Another Execution" certainly represent the more violent side to street life, they are more in the vein of "someone tested me so I had to show him who's boss" rather than killing everybody in sight. In fact, the opening ramblings of KMG on Murder Rap are spoken to 187 stating "Yo 187 they tryin' to get you for a Murder Rap and you ain't even like that". Another difference in content is the clear attempt to try to win the ladies over by sweettalking them rather than calling them out their names. In truth, compared to other Ruthless releases, there is very little profanity from the emcees.
Finally, this album was released early in 1990. At the time, the personnel problems in the NWA camp were unknown to the general public. Livin Like Hustlers was released prior to the announcement of Ice Cube leaving. When fans noticed Cube did not appear on the supremely impressive posse cut "The Last Song", the official word became that Cube was working on his solo album. No one really knew that "Cube solo" meant that he was no longer with NWA. In fact, it may not have been clear to even NWA or ATL at the time. This uncertainty meant that this was the last true project released from Ruthless prior to the NWA breakup.
So what does all this information mean in regards to me calling this album an "unhearalded classic?" It sets up the listener with the mindset that they need to have when first embarking on the journey into the minds of Above the Law on their first listen. Whether it's the hardcore rantings of "Another Execution" and "Just Kickin Lyrics" or the political commentary of "Murder Rap" and "Freedom of Speech" or the pimped out mackery of "Ballin'" and "Flow On", the listener is treated to a variety of different subjects and styles that keep on entertaining. And with first time uses of beats like Quincy Jones & Bill Cosby's "Hicky Burr" or the theme from "Ironsides", (which Kill Bill fans will instantly recognize), ATL shows that it wasn't only the East Coast that could dig in the crates. In fact, many of the beats foreshadow future hits such as Lil Kim's "No Time". The album is truly ahead of its time but unfortunatley became overshadowed by the impending supernova breakup of NWA and the eventual arrival of the Lench Mob and Death Row camps. |
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